Publication:
An impossible present : the indivisible time of video feedback art

dc.contributor.author Harvey, Justin en_US
dc.date.accessioned 2022-03-15T08:43:00Z
dc.date.available 2022-03-15T08:43:00Z
dc.date.issued 2021 en_US
dc.description.abstract An Impossible Present: The Indivisible Time of Video Feedback Art is a practice-based research project that investigates the capacity of artists to impact our understanding of the thing around which much of our conscious experience is structured yet which cannot be grasped: time. It consists of the iterative creation of four artworks along with a written thesis examining historic and contemporary artistic practices, including my own, that employ video feedback. I interrogate artists’ conceptual preoccupations, the processes they use and their aesthetic outcomes using novel applications of philosopher Henri Bergson’s philosophy of consciousness and time to provide new understandings of their work. Bergson argues that conscious existence can be understood as the indivisible continuity of change, which he calls duration, and yet we divide all things as a means of control over the material world, including time. I argue that specific artworks that utilise video feedback provoke a certain way of thinking about, or indeed experiencing time contrary to the usual way that video is used to divide it. I make use of three interpretations of Bergson’s philosophy, media theorist Mark B. N. Hansen’s reformulation of Bergson’s thinking to account for digital video technology, transdisciplinary critical philosopher David Kreps’ alignment of Bergson’s theory of evolution with developments in evolutionary biology, and philosopher Michel Serres’ extension of Bergson’s theory of time as indivisible to an understanding of time as manifold. Each interpretation is brought into relation with one of the artworks I produced as part of this research along with the artworks of others. In the hands of the artists discussed throughout this thesis, the video feedback loop becomes a metaphor for human consciousness and through the shaping of these loops, they create artworks that move toward restoring the quality of indivisibility to the concept, and indeed experience, of time. en_US
dc.identifier.uri http://hdl.handle.net/1959.4/70800
dc.language English
dc.language.iso EN en_US
dc.publisher UNSW, Sydney en_US
dc.rights CC BY-NC-ND 3.0 en_US
dc.rights.uri https://creativecommons.org/licenses/by-nc-nd/3.0/au/ en_US
dc.subject.other Glitch en_US
dc.subject.other Video feedback en_US
dc.subject.other Video Art en_US
dc.title An impossible present : the indivisible time of video feedback art en_US
dc.type Thesis en_US
dcterms.accessRights open access
dcterms.rightsHolder Harvey, Justin
dspace.entity.type Publication en_US
unsw.accessRights.uri https://purl.org/coar/access_right/c_abf2
unsw.date.embargo 2023-05-04 en_US
unsw.description.embargoNote Embargoed until 2023-05-04
unsw.identifier.doi https://doi.org/10.26190/unsworks/2260
unsw.relation.faculty Arts Design & Architecture
unsw.relation.originalPublicationAffiliation Harvey, Justin, Art, Faculty of Art & Design, UNSW en_US
unsw.relation.school School of Art and Design *
unsw.thesis.degreetype PhD Doctorate en_US
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