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Abstract
The research project explores the concept of the self/other in contemporary art practice with its focal point as self-portrait and portraiture. The proposal sought to explore the concept of self/other not only as ‘content’ but also as a route for thinking about art and a process for art making. The work is informed by American self confessional strategies. The mediums of photography, video and sculpture were employed within the art practice.
The exhibition is intimate, confrontational, multi-faceted and constructed within a multi-modal format. The chaotic and seemingly random nature of imagery and objects consists of bits and pieces of information. Interaction contingent with the viewer and memories creates an embodied or encapsulated self. In agreement with postmodern theories the exhibition illustrates one thing or many things. It illustrates what is known or can never be known or is always evolving.
The story of the self is examined from a theoretical and historical perspective with a psychological bent owing to my own exposure to analysis.
The role of art and what it does in terms of exploration, criticism and adaptation superimposed upon my theory of self may supersede any theory of self.
The photographers Nan Goldin, Nicholas Nixon, Julia Margaret Cameron and Orlan inform the work. The subjective documentary video of Ross McElwee and poetic video of Bill Viola are noted. Gian Bernini informed with his emotive, and figurative sculptural works.
The work has the potential to evolve as self/other is fluid and adapts in response to interactions within and outside of the body and the artistic search for truth.