Abstract
This thesis is a critical analysis and reconfiguration of the physical frame in
contemporary art. Drawing on historical, theoretical and technical knowledge bases,
the thesis characterises the physical frame as the material manifestation of an act (or set
of acts) of framing: a constructed ‘surplus’ or necessary appendage created to mediate
and protect an artwork, connecting it to physical and conceptual contexts in order to
facilitate a better understanding of the framed work. The frame is thus depicted as
‘work-sensitive’, being formed in response to, and as a direct result of, the work of art.
This distinguishes the frame from notions of ‘site’ and ‘place’, which both connote pre-
existing spaces. The physical frame, rather than describing the setting or site to which
an artwork is added or contributes to, describes the material build-up which is added to
the work.
The thesis documents and examines the various ways that contemporary artists employ
physical frames to negotiate physical and conceptual space for artworks. This framing
perspective is contrary to the prevalent mindset that contemporary artworks - having
broken out beyond the picture frame into real space and time - are now frameless. As a
result of this research, the physical frame is reconfigured as an open-ended cellular
construct, offering up multiple narrative threads.
A distinction is made in the thesis between an ‘immediate’ frame (a frame immediately
attached to an artwork which the viewer stands on the ‘outside’ of, such as a picture
frame) and an ‘extended’ frame (an immersive kind of frame experienced by the viewer
from ‘within’ the frame, as with a ‘circumtextual’ frame). In addition to clarifying and
developing upon existing framing terminology, this thesis presents a new taxonomic
scale of frames in order to test the hypothesis that ‘immediate’ frames can be discussed
and categorised according to their level of involvement with their associated artworks.
This framing model offers a new filter through which to approach the contemporary
artwork, and provides a method, vocabulary and set of questions to dissect and
articulate the presence and relevance of a detected frame.