Abstract
This paper supports the contemporary relevance of the traditional method, of
observational, street photography, and relates the weakened status of this
method in contemporary art discourse to the disenfranchised status of formal
beauty. A parallel is drawn between the composite of verbal/visual elements
in photographic exhibitions, and the verbal/musical structure of the pop song.
This Paper argues the compatibility of intuitive and formal strategies in
observational photography, with post session conceptual verbal strategies.
Two models of the post session conceptual development of observational
photographs are offered for analysis: The numbering and categorisation of
intuitive photographs with the intention of identifying behavioural patterns; and
the application of text to photographs with the intention of articulating the
primacy of formal beauty.