Abstract
The 21st century has emerged as a century of enhanced globalisation,
forced a reorganisation of new economic models of ruthlessly competitive
production and witnessed the establishment of a plethora of media
platforms. These evolving characteristics of society have changed how
we perceive our own identities and raised questions relative to whether
we define ourselves based solely on the common conventions of identity
such as ethnicity, nationality and religion. This MFA Research project
Performance Anxiety seeks to address, through a form of personal
narrative, this question of perceived identity - a key theme in art for
centuries.
Beginning with an exploration of the meaning of cultural belonging—the
understanding of shared myths, customs, symbols, and jargon, and their
underlying subtext I identify the importance of these shared experiences
in a range of cultural contexts. By isolating indexes of both my Jewish
heritage and an affiliation with surfing subculture I deliberately position
them within the conventions of media narratives and clichés. Therefore
creating an amalgamation of iconic emblems becoming a type of
performance in which we all take part, each presenting our own cultural
alignments and involving an interaction with the audience, shifting
between action and reaction.
The artworks are intended to demonstrate the transition from what used
to be considered a fundamental identity, such as an association with an
ethnic group, as opposed to a seemingly less authentic identity
epitomized by the performance of media clichés, stereotypes, and
narratives, an identity that is no longer definable for more than a moment
as we progress through our lifeʼs path.
The work is created across a diverse range of media, mostly those based
on printmaking techniques. Many of these techniques were initially
developed as commercial production processes, implying that consumer
influences play a role in the construction of our identity. They toy with the
relationship between surface and depth both visually and conceptually,
questioning whether our identity is more about exterior than interior.
Performance Anxiety is based on the idea that people in the developed
world are entangled in an elaborate performance of their identity. This
performance is in constant flux and changes to suit the audience and
circumstances of the moment. While most people want to be perceived
as unique individuals, their identity performances are heavily indebted to
media stereotypes and often counteract a need to be distinct.