Publication:
CCTV ‘dialogue’ = speaking + listening: A case analysis of a prestigious CCTV talk show series Dialogue
CCTV ‘dialogue’ = speaking + listening: A case analysis of a prestigious CCTV talk show series Dialogue
dc.contributor.author | Zhong, Yong | en_US |
dc.date.accessioned | 2021-11-25T12:32:00Z | |
dc.date.available | 2021-11-25T12:32:00Z | |
dc.date.issued | 2004 | en_US |
dc.description.abstract | I have conducted a series of case studies of Chinese television in recent years in areas ranging from talk shows (Zhong, 1998), debating shows (Zhong, 2002) and the reception analysis of serials (Zhong, 2001a) to the political economics of its operation (Zhong, 2001b). These studies prompted me to observe that Chinese television continues to be a master’s medium, used for propaganda purposes, rather than a medium of mass empowerment. In the 1998 study of talk shows, which is of direct relevance to this present one, I found that these shows adopted a communication model which was meant to facilitate a one-way injection of messages into the audiences and which, by doing so, alienated the audiences. This was because the communication model positioned the different participants in a hierarchy, with the television hosts and government officials constructed as the single and central source of information; business interests as visible, financial but voiceless facilitators for conveying information; and the audiences as a passive, indistinguishable, listening mass at the receiving end. | en_US |
dc.identifier.issn | 0163-4437 | en_US |
dc.identifier.uri | http://hdl.handle.net/1959.4/33755 | |
dc.language | English | |
dc.language.iso | EN | en_US |
dc.rights | CC BY-NC-ND 3.0 | en_US |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/3.0/au/ | en_US |
dc.source | Legacy MARC | en_US |
dc.subject.other | China | en_US |
dc.subject.other | Media | en_US |
dc.subject.other | Television | en_US |
dc.subject.other | Linguistic Anthropology (370303) | en_US |
dc.title | CCTV ‘dialogue’ = speaking + listening: A case analysis of a prestigious CCTV talk show series Dialogue | en_US |
dc.type | Journal Article | en |
dcterms.accessRights | metadata only access | |
dspace.entity.type | Publication | en_US |
unsw.accessRights.uri | http://purl.org/coar/access_right/c_14cb | |
unsw.description.publisherStatement | The final, definitive version of this article has been published in Media, Culture and Society, 26(6), 2004, © SAGE Publications Ltd, 2004 by SAGE Publications Ltd at the Media, Culture and Society page: http://mcs.sagepub.com/ on SAGE Journals Online: http://online.sagepub.com/ | en_US |
unsw.identifier.doiPublisher | http://dx.doi.org/10.1177/0163443704047028 | en_US |
unsw.relation.faculty | Arts Design & Architecture | |
unsw.relation.ispartofissue | 6 | en_US |
unsw.relation.ispartofjournal | Media, Culture & Society | en_US |
unsw.relation.ispartofpagefrompageto | 821-840 | en_US |
unsw.relation.ispartofvolume | 26 | en_US |
unsw.relation.originalPublicationAffiliation | Zhong, Yong, Languages & Linguistics, Faculty of Arts & Social Sciences, UNSW | en_US |
unsw.relation.school | School of Humanities & Languages | * |