The Patriots 2007

dc.contributor.other Djonov, Atanas en_US
dc.contributor.other Anestopolou, Maria en_US 2021-11-25T15:33:37Z 2021-11-25T15:33:37Z 2007 en_US
dc.description.abstract The audio component of much contemporary video work is seen to complement the image. Accordingly, where does the imposition of ‘self-generating’ musical composition systems onto video footage enhance or detract from the footage, and does the resultant ‘music’ have enough structure to cross the border from chaos to order? Moving on from colour/sound research where frequency of both mediums was thought to be paramount when transposing compositions, the video work The Patriots by John Gillies is part of a series that has led to the unlocking of rhythms within socially derived single shot video compositions. This has been done as a key to such transposing of image to sound. The Patriot has been exhibited internationally in Mind The Steps: Platforma Video07, Athinais Multiculture, Athens, Greece; Sofia/Plovdiv, Bulgaria; and Zagreb, Croatia. It was also selected for the exhibition 5x5, Ivan Dougherty Gallery, Sydney, NSW. en_US
dc.language English
dc.language.iso EN en_US
dc.rights CC BY-NC-ND 3.0 en_US
dc.rights.uri en_US
dc.source Legacy MARC en_US
dc.title The Patriots 2007 en_US
dc.type Creative Work (non-textual) en
dcterms.accessRights open access
dspace.entity.type Publication en_US
unsw.contributor.creator Giddy, Allan Maurice en_US
unsw.identifier.doi Athinais Multiculture, Athens, Greece; Sofia/Plovdiv, Bulgaria; and Zagreb, Croatia en_US
unsw.relation.faculty Arts Design & Architecture
unsw.relation.ispartofexhibitionName Mind The Steps: Platforma Video07 en_US
unsw.relation.originalPublicationAffiliation Giddy, Allan Maurice, Art, College of Fine Arts, UNSW en_US School of Art and Design *
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