Splitting the Difference: Aesthetic Relations in Henry James and Leo Bersani Jottkandt, Sigi en_US 2021-11-25T12:27:08Z 2021-11-25T12:27:08Z 2011 en_US
dc.description.abstract As an alternative to psychoanalysis’s aggressive subject/object relation, Leo Bersani proposes a more modulated, aesthetic subjectivity. This essay explores Bersani’s concept of aesthetic relations through impressionism’s and realism’s competing demands on the artistic object in Henry James’s “Flickerbridge.” I suggest this 1902 short story can be productively read as a theory of the perspectival shift James was exploring in his experiments with literary impressionism in that period. en_US
dc.identifier.issn 1080-6555 en_US
dc.language English
dc.language.iso EN en_US
dc.rights CC BY-NC-ND 3.0 en_US
dc.rights.uri en_US
dc.source Legacy MARC en_US
dc.subject.other literautre en_US
dc.subject.other Henry James en_US
dc.subject.other psychoanalysis en_US
dc.title Splitting the Difference: Aesthetic Relations in Henry James and Leo Bersani en_US
dc.type Journal Article en
dcterms.accessRights open access
dspace.entity.type Publication en_US
unsw.description.publisherStatement Journal homepage: en_US
unsw.identifier.doiPublisher en_US
unsw.relation.faculty Arts Design & Architecture
unsw.relation.ispartofissue 3 en_US
unsw.relation.ispartofjournal The Henry James Review en_US
unsw.relation.ispartofpagefrompageto 235-241 en_US
unsw.relation.ispartofvolume 32 en_US
unsw.relation.originalPublicationAffiliation Jottkandt, Sigi, Arts and Media, Faculty of Arts & Social Sciences, UNSW en_US School of the Arts & Media *
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