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Abstract
Exhibition of artwork at factory 49, Sydney and George Paton Gallery, University of Melbourne Union.
Relating to – but not deriving from – the urban landscape, this project evolved
as a three–dimensional sketch on form, material and color and its placement
in the grid. Loosely based on the idea of an architectural model or street–scape, but without referring to any particular urban space, the installation functions as a contemplation on the relationship between rectangular, square and cubic shapes.
The Abstrakt Landscape is intended to be experienced as a three-dimensional painting, referencing early modernist compositions such as Mondrian’s 1942–1943 Broadway Boogie Woogie.