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1 - 10 of 41
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(2003)Creative Work (non-textual)Solo exhibition 'Here' at Yuill Crowley Gallery, curated by Kerry Crowley.
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(2006)Creative Work (non-textual)Installation photograph of three artworks '5000 Times Again', 'Small World' and 'Round the World' in group exhibition 'Reframe', curated by Karina Clarke at Ivan Dougherty Gallery, University of New South Wales.
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(2004)Creative Work (non-textual)Group exhibition This Way at Cofa Space curated by Vaughan Rees.
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(2003)Creative Work (non-textual)Exhibition at Cofa Space, curated by Emma Robertson.
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(2003)Creative Work (non-textual)Exhibition at Ivan Dougherty Gallery, curated by Rilka Oakley
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(2000)Creative Work (non-textual)Solo Exhibition at Yuill Crowley Gallery, 2000
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(2001)Creative Work (non-textual)Solo exhibition at Yuill Crowley Gallery, 2001
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(2007)Creative Work (non-textual)Aesthetic responses to the Australian outback often acknowledge the vastness of the landscape; the horizon line and vanishing point of an endless road, as well as the dry and unrelenting heat. This iconic isolation, often only punctuated by a solitary driver, is the basis for this dialogical sculpture and video based installation. You by Allan Giddy is a fusion of sculptural artifact and screen based work; a large black antennae dish is installed in the gallery space alongside a video projection representing an iconic outback scene. The reflector serves to practically redirect, isolate and amplify the distorted melody of a pop song from the 1960s with the lead vocal removed as well as alluding to the sound of a CB radio conversation between two truckers, one British and the other Australian. You is featured in Figuring Landscapes: artists’ moving image from the U.K and Australia at the Tate Modern, London and subsequently exhibited at the Dundee Contemporary Arts, FACT Liverpool, Vivid, Birmingham, Showroom Sheffield, Glimmer, the 7th Hull International Short Film, Capter Arts Centre Cardiff, Site Festival, Stroud Valley Artspace, Cinecity – Brighton Film Festival, Mermaid Arts Centre Wicklow, Ivan Dougherty Gallery, Sydney, and the Gallery of Modern Art, Brisbane. The work has also been shown in Area - Video Works #2, Fig Tree Theatre, Sydney, NSW and Gallery Alley, Sofia, Bulgaria.
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(2007)Creative Work (non-textual)Electrical and electronic technologies have a long history and relationship to the development of public art projects. In this field where a much greater emphasis surrounds more environmental endeavors, the challenge has been to reinvigorate degraded sites while adhering to ecologically progressive construction practices. The artwork Weather Cranes by Alan Giddy responded to intersecting concerns from the areas of heritage (preservation), site (conservation) and place making (reanimation) - such constricting and sometimes contradictory pressures being indicative of public art making in the 21st century. The response was to create a work of art by using and changing an existing object (adjusted readymade) without any physical impact on the object. To achieve an efficient yet dynamic result required the co-opting of high efficiency sensing and lighting systems. This artwork successfully fuses contemporary electronic technologies with public art making in an attempt to create a high impact installation with a small energy footprint. This work was commissioned for the collection of the Sydney Olympic Park Authority, Parramatta Riverside and has been on permanent exhibition since March 2007.
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(2007)Creative Work (non-textual)The audio component of much contemporary video work is seen to complement the image. Accordingly, where does the imposition of ‘self-generating’ musical composition systems onto video footage enhance or detract from the footage, and does the resultant ‘music’ have enough structure to cross the border from chaos to order? Moving on from colour/sound research where frequency of both mediums was thought to be paramount when transposing compositions, the video work The Patriots by John Gillies is part of a series that has led to the unlocking of rhythms within socially derived single shot video compositions. This has been done as a key to such transposing of image to sound. The Patriot has been exhibited internationally in Mind The Steps: Platforma Video07, Athinais Multiculture, Athens, Greece; Sofia/Plovdiv, Bulgaria; and Zagreb, Croatia. It was also selected for the exhibition 5x5, Ivan Dougherty Gallery, Sydney, NSW.
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