Performance (music, theatre, dance)

Permanent URI for this collection

http://hdl.handle.net/1959.4/23

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Recent Submissions

Now showing 1 - 5 of 28
  • Kira Kira ‘Bright Force’ Australia/New Zealand Tour 2018: Auckland
    (2018-11-21) Spence, Alister; Fujii, Satoko; Tamura, Natsuki; O'Connor, Chris; Spence, Alister
    Performance (music, theatre, dance)
    This performance took place during a tour by Alister Spence, Satoko Fujii, and Natsuki Tamura to promote the release of their CD recording 'Bright Force' (Libra records). This performance was a demonstration of the research in music composition and performance undertaken by Dr Alister Spence from UNSW, and musician colleagues, Satoko Fujii and Natsuki Tamura from Japan, performing the ‘Bright Force’ work together as the Kira Kira project. This research investigates the agency of contingency in intercultural, inter-genre, music making, and the continuum between composition and improvisation. (What I have termed the Experimental Composition, Improvisation Continuum or ECIC.)
  • Kira Kira ‘Bright Force’ Australia/New Zealand Tour 2018: Wellington (NZ)
    (2018-11-22) Spence, Alister; Fujii, Satoko; Tamura, Natsuki; Rae, John; Spence, Alister
    Performance (music, theatre, dance)
    This performance took place during a tour by Alister Spence, Satoko Fujii, and Natsuki Tamura to promote the release of their CD recording 'Bright Force' (Libra records). This performance was a demonstration of the research in music composition and performance undertaken by Dr Alister Spence from UNSW, and musician colleagues, Satoko Fujii and Natsuki Tamura from Japan, performing the ‘Bright Force’ work together as the Kira Kira project. This research investigates the agency of contingency in intercultural, inter-genre, music making, and the continuum between composition and improvisation. (What I have termed the Experimental Composition, Improvisation Continuum or ECIC.)
  • Kira Kira ‘Bright Force’ Australia/New Zealand Tour 2018: Melbourne
    (2018-11-20) Spence, Alister; Fujii, Satoko; Tamura, Natsuki; McLean, James; Spence, Alister
    Performance (music, theatre, dance)
    This performance took place during a tour by Alister Spence, Satoko Fujii, and Natsuki Tamura to promote the release of their CD recording 'Bright Force' (Libra records). This performance was a demonstration of the research in music composition and performance undertaken by Dr Alister Spence from UNSW, and musician colleagues, Satoko Fujii and Natsuki Tamura from Japan, performing the 'Bright Force' work together as the Kira Kira project. This research investigates the agency of contingency in intercultural, inter-genre, music making, and the continuum between composition and improvisation. (What I have termed the Experimental Composition, Improvisation Continuum or ECIC.)
  • Kira Kira ‘Bright Force’ Australia/New Zealand Tour 2018: Newcastle
    (2018-11-13) Spence, Alister; Tamura, Natsuki; Fujii, Satoko; Derricott, Paul; Spence, Alister
    Performance (music, theatre, dance)
    This performance took place during a tour by Alister Spence, Satoko Fujii, and Natsuki Tamura to promote the release of their CD recording 'Bright Force' (Libra records). This performance was a demonstration of the research in music composition and performance undertaken by Dr Alister Spence from UNSW, and musician colleagues, Satoko Fujii and Natsuki Tamura from Japan, performing the 'Bright Force' work together as the Kira Kira project. This research investigates the agency of contingency in intercultural, inter-genre, music making, and the continuum between composition and improvisation. (What I have termed the Experimental Composition, Improvisation Continuum or ECIC.)
  • Satoko Fujii Orchestra Nagoya
    (2016-02-17) Spence, AM; Fujii, S; Tamura, N; Yoshimaru, A; Takeda, S; Hirao, Y; Kobayashi, D; Matsumoto, T; Watanabe, T; Ishiwatari, M; Tsujita, T; Nitta, M; Terukina, T; Takahashi, K; Usui, Y; Tokuda, S; Kondo, H; MacDonald, R
    Performance (music, theatre, dance)
    Publication details: 'Imagine Meeting You Here' Research Background: A one-hour suite in five movements for improvising orchestra, written as part of Creative Practice PhD creative portfolio. Research Contribution: This suite was written as part of an on-going investigation regarding contemporary experimental music practice and the continuum between improvisation and composition. The aims of the research are in part to document how and in what ways works can be transformed by the performers interacting and making decisions regarding the music in real time in a highly contingent environment.